A24’s “Y2K” Is More Nostalgic for the Past than Its Audience
A24’s under-radar release attempts to hide its inconsistencies behind a flashy, nostalgic aesthetic.
“The Beast” (2023) Is Coming For Us All
Bonello’s French film stuns in a dizzying, heady commentary regarding AI and what it means to be human.
Troubled by Ambition: “The Brutalist” Review
A24 and Director Brady Corbet create a tour de force that loses sight of its meaning.
“Gladiator II” Kills (and Not in a Good Way)
Gladiator II commits the greatest sin of a historical action drama – it bores.
“Wicked” Deserves Its Chance to Fly: A Review
Cynthia Erivo and Ariana Grande defy gravity and expectations in the first part of a lengthy, beloved musical epic.
“The Substance” And The Disintegration of Women
The body horror movie by Coralie Fargeat tackles society’s biggest obsession and fear: aging women.
“Red One” Deserves to Be Put on the Naughty List
With the holiday season approaching, be sure to watch any Christmas flick but this one.
“Anora” Is a Triumph in American Cinema
Director Sean Baker’s Palme d’Or winner proves contemporary American independent cinema can succeed.
Thank God It’s Finally Over: A Review of “Venom: The Last Dance”
Sony Pictures tries riding on the coattails of the MCU's success, but instead fall face first.
You’re a Mean One, Art the Clown: A “Terrifier 3” Review
Get ready for the holiday season with another terrifying massacre from cinema’s new horror icon, Art the Clown.
A Controversial, Earnest Look Into Donald Trump on “The Apprentice”
One of the best films of the year, and the one Donald Trump doesn’t want you to see.
“Let’s Boil the Wolverines”: A “Saturday Night” Review
Jason Reitman’s messy biopic is more than a celebration of the beloved NBC series at its 50th season; it’s an ode to the legendary comedies and rebellious performers of its era.