“Gladiator II” Kills (and Not in a Good Way)
Gladiator II commits the greatest sin of a historical action drama – it bores.
“Wicked” Deserves Its Chance to Fly: A Review
Cynthia Erivo and Ariana Grande defy gravity and expectations in the first part of a lengthy, beloved musical epic.
“The Substance” And The Disintegration of Women
The body horror movie by Coralie Fargeat tackles society’s biggest obsession and fear: aging women.
“Red One” Deserves to Be Put on the Naughty List
With the holiday season approaching, be sure to watch any Christmas flick but this one.
When Hate Prevails: A Reflection on the 2024 Election
Donald Trump has been elected for his second term. How do we stop the advancement of his hateful rhetoric?
“Anora” Is a Triumph in American Cinema
Director Sean Baker’s Palme d’Or winner proves contemporary American independent cinema can succeed.
An Open Letter from COD’s New Interim Vice President, Tom Rios
The new Interim Vice President Tom Rios has a message of encouragement to the COD community, in which he details his goals for the school.
Thank God It’s Finally Over: A Review of “Venom: The Last Dance”
Sony Pictures tries riding on the coattails of the MCU's success, but instead fall face first.
The Law Must Stand Up Against Cybercrime for All Sectors
As recent hacks highlight vulnerabilities in digital knowledge platforms, securing such resources becomes an ethical and legal responsibility.
You’re a Mean One, Art the Clown: A “Terrifier 3” Review
Get ready for the holiday season with another terrifying massacre from cinema’s new horror icon, Art the Clown.
A Controversial, Earnest Look Into Donald Trump on “The Apprentice”
One of the best films of the year, and the one Donald Trump doesn’t want you to see.
“Let’s Boil the Wolverines”: A “Saturday Night” Review
Jason Reitman’s messy biopic is more than a celebration of the beloved NBC series at its 50th season; it’s an ode to the legendary comedies and rebellious performers of its era.